《国际艺术史学会学刊（第二卷）》

TERMS：CIHA Journal of Art History（《国际艺术史学会学刊》）是在今日全球化背景下，提供给不同文化、不同国籍和不同母语的学者，就同一艺术史重大主题进行探讨的学术刊物，致力于两个目标：一是将艺术史上不同艺术观念和艺术现象作品中，涉及表现同样主题的理解与艺术史的全局问题联系起来，以进行重新考察和检验；二是呈现不同政治、宗教、文化和语言背景艺术史学家们对全球化中某一个重大主题的批评，以挖掘、解释和弥合各种意见的差异、扭曲与掩盖，特别是主流话语对边缘和个别独立见解的隐秘。每一卷学刊只设立一个重要主题（第一卷为 Engagement，第二卷为Dialogue），每次都通过国际艺术史学会向超过40个会员国不同母语的专家约稿，并且不仅限于此，还会由主编向如位于非洲中部、东南亚与中东的非会员国学者约稿。以此，学刊把因文化冲突、意识形态差别而对艺术史具体问题的不同理解，主动积极地表达出来，推进“艺术史学科”自身丰富和发展，以促进学术和艺术在全球化中推进文明的作用。

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作者：Thierry Dufrêne, Peter J. Schn

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TERMS：CIHA Journal of Art History（《国际艺术史学会学刊》）是在今日全球化背景下，提供给不同文化、不同国籍和不同母语的学者，就同一艺术史重大主题进行探讨的学术刊物，致力于两个目标：一是将艺术史上不同艺术观念和艺术现象作品中，涉及表现同样主题的理解与艺术史的全局问题联系起来，以进行重新考察和检验；二是呈现不同政治、宗教、文化和语言背景艺术史学家们对全球化中某一个重大主题的批评，以挖掘、解释和弥合各种意见的差异、扭曲与掩盖，特别是主流话语对边缘和个别独立见解的隐秘。

每一卷学刊只设立一个重要主题（第一卷为 Engagement，第二卷为Dialogue），每次都通过国际艺术史学会向超过40个会员国不同母语的专家约稿，并且不仅限于此，还会由主编向如位于非洲中部、东南亚与中东的非会员国学者约稿。

以此，学刊把因文化冲突、意识形态差别而对艺术史具体问题的不同理解，主动积极地表达出来，推进“艺术史学科”自身丰富和发展，以促进学术和艺术在全球化中推进文明的作用。


Terms: CIHA Journal of Art History

Volume 2

Terms of Dialogue 

Editorial team: Thierry Dufrêne, Peter J. Schneemann


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The first issue of the new CIHA journal “Terms” has been printed. It collects and discusses a contemporary vocabulary for the paradigm of “Engagement”. “Terms of Engagement” has been published by the World Arthistory Institute (WAI) at Shanghai International Studies University and will be available on the website of the University of Heidelberg.


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The editorial board of the international journal that explores issues of global art history for the future invites contributions for the second issue, “Terms of Dialogue.”

 

In line with the journal's overall concept, we invite proposals that explore terms that further the practice of collaboration. Whether you pick old terms or suggest new keywords, we are interested in innovative discussions that range from artistic practice and curatorial strategies to formats of art history writing.

 

The journal strives for true diversity in art history, born from the renewal of the historically charged organization CIHA, a podium for the global art history community. We want to encourage reflections on art history as a social practice relevant to the world. We are open to various speculative essay-formats, from conversations to collaborations, dialogues or sketches, translations, appropriations, and even misunderstandings.



Submissions

We welcome short articles, maximum 15,000 characters, thus leading to a kind of living dictionary of our discipline. 


Please send a 150-word abstract and a 150-word biography to

peter.schneemann@ikg.unibe.ch and

thierry.dufrene@inha.fr by April 15th. 


Completed manuscripts are due June 15th, 2023. Submissions should be handed in electronically and will be peer-reviewed. All manuscripts should be in US English and follow the Chicago style sheet (17th edition). We encourage fully-illustrated submissions; however, it is the author's responsibility to both provide the images and secure permission to reproduce them (3 illustrations maximum).



Key Words

As inspiration, we offer a handful of possible terms or keywords. We are open to terms and keywords not listed below:

 

  • Outreach

  • Citizen Science

  • Speaking and listening

  • Forum

  • Parliament of Bodies

  • Beyond education

  • Conversation (Pieces)

  • Debate

  • Conflict

  • Appropriation

  • Quotation

  • Parliament of Forms

  • Theatre of Speech

  • Double talent

  • Performing duality

  • Artist/Art Historian (the Döppelganger)

  • Dialog with non-humans (entities)